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Later in 1968, he moved to Nashville, where he did session work and produced Bob Wills' 24 Great Hits by Bob Wills and His Texas Playboys. In the mid-1970s Allsup served as the producer for a pair of Asleep at the Wheel albums. [3] In 1979, he started a club named Tommy's Heads Up Saloon in Fort Worth. [8]
The specific problem is: the article contains some flute makers who aren't notable enough for an encyclopedia article. Please help improve this article if you can.
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
There are two sequels named The Magic Flute Part Two.The first is a fragment by Johann Wolfgang von Goethe, which was intended to be set to music by Paul Wranitzky.The second was sponsored by Emanuel Schikaneder himself, the opera, Das Labyrinth oder Der Kampf mit den Elementen (The Labyrinth or The Struggle with the Elements), a Singspiel in two acts composed in 1798 by Peter von Winter to a ...
Explo '72 was an evangelistic conference sponsored by Campus Crusade for Christ, planned and directed by Paul Eshleman.Explo '72 has been called the most visible event of the 1970s Jesus movement, [1] and came to be associated with the same, even though its primary attendees were not directly involved in that movement.
The Chessmen were an American garage rock band from Denton, Texas, near Dallas, who were active in the 1960s.They were one of the most popular bands in the region and recorded for Bismark Records, where they recorded three singles including, "I Need You There", which is now considered a garage rock classic.
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Corpus Christi is a 1998 American play by Terrence McNally, written in 1997 and first staged in New York in 1998, dramatizing the story of Jesus and the Apostles, depicting Jesus and the Apostles as gay men living in modern-day Texas. [1] McNally arranges the narrative through anachronisms that represent Roman occupation.