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Bavaria is the female symbolic figure and secular patron of Bavaria and appears as a personified allegory for the state of Bavaria in various forms and manifestations. She thus represents the secular counterpart to Mary as the religious Patrona Bavariae .
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Osborne Art Studio decorated Lorenz Hutschenreuther Selb cup and saucer Osborne Art Studio backstamp on Lorenz Hutschenreuther Selb saucer Osborne Art Studio decorated Hutschenreuther Selb 6-1/4 plate. Hutschenreuther is the name of a German family that established the production of porcelain in northern Bavaria, starting in 1814.
Nymphenburg: Pair of small table vases, probably by J. Häringer, c. 1760 Nymphenburg porcelain tableware, c. 1760–1765 The Nymphenburg Porcelain Manufactory (German: Porzellan Manufaktur Nymphenburg) is located at the Nördliches Schloßrondell (northern palace circle) in one of the Cavalier Houses in front of the Nymphenburg Palace in Munich, Germany, and since its establishment in 1747 ...
The House of Wittelsbach, which ruled in Bavaria for about eight centuries, used the coat lozengy from 1242, later quartering it with the lion of the Electoral Palatinate. Bavaria became a kingdom in 1806, and in 1835 a new coat of arms was created, similar to today's but representing some regions by different coats of arms.
Northwood produced a large amount of this pattern. There were two variations of the pattern with one having more vine in the center. [10] Three Fruits 1910 The pattern includes fruits and foliage. The Fenton glass also had a similar pattern. [11] Wishbone This was used on bowls and plates of two different sizes, 8 and 10 inch.