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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
He became curator of the art museum of Bagnols-sur-Cèze, where he remained until his death. [3] In 1919, he produced a monograph, "Renoir", considered to be "one of the most accurate contemporary accounts of the artist's work", [ 2 ] [ 5 ] and in 1921, he organized a retrospective of Renoir's work at the Durand-Ruel Gallery. [ 3 ]
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Albright-Knox Art Gallery, Buffalo, New York Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants , in March 1888. [ 1 ]
Rutter had put the term Post-Impressionist in print in Art News of 15 October 1910, three weeks before Fry's show, during a review of the Salon d'Automne, where he described Othon Friesz as a "post-impressionist leader"; there was also an advert in the journal for the show The Post-Impressionists of France. [26]
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
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