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Paganini Variations, Book I, Book II: Scores at the International Music Score Library Project; Beggerow, Alan (January 23, 2014). "Brahms - Studies For Pianoforte, Variations On A Theme Of Paganini Opus 35". Musical Musings Blog. Hansen, Kelly Dean (January 9, 2009). "Opus 35 Listening Guide - Variations on a theme of Paganini (Studies for Piano)".
The Variations retain most of Paganini's original material for solo violin. [1] As Paganini's original composition, it is structured as a theme with variations, presenting the theme, a total of twelve variations, and a final coda. The additional twelfth variation before the coda is Lutosławski's only structural alteration in the piece.
Theme and Variations in D minor piano 1860 transcription of 2nd mvt of String Sextet No. 1 Op. 18; published 1927 Op. 24: Variations and Fugue on a Theme by Handel in B ♠major ("Handel Variations") piano 1861 Op. 35: Etudes for Piano: Variations on a Theme of Paganini: piano 1863 A. 3/6: Variation on a Theme by Schumann in F ♯ minor piano 1868
Gary Kulesha: Variations on a Theme by Paganini (trumpet and piano; 1974, rev. 1982) Lowell Liebermann : Rhapsody on a Theme of Paganini for piano and orchestra (2001) Franz Liszt : Grandes études de Paganini No. 3 and No. 6 (piano; 1851), revised from the earlier Études d'exécution transcendante d'après Paganini of 1838
Boris Blacher – Variations on a Theme by Paganini (1947), for orchestra; Hans Bottermund – Variations on a Theme by Paganini, for cello solo; Johannes Brahms – Variations on a Theme of Paganini, Op. 35 (1862–63), for solo piano (2 books) Charles Camilleri – Paganiana, for two pianos
As a result, Brahms's piece is sometimes referred to today, in recordings and concert programs, as the St. Anthony Variations or Variations on the St. Anthony Chorale, in addition to the original title that Brahms gave it. A detailed survey of the controversy can be found in Douglas Yeo's 2004 edition of the "Haydn" piece (ISMN M-57015-175-1). [3]
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