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Los Ángeles Azules are a Mexican musical group that plays the cumbia sonidera genre, which is a cumbia subgenre using the accordion and synthesizers. This results in a fusion of the sounds of cumbia from the 1950-1970s with those of 1990s-style electronic music.
Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.
[7] [8] It is a Mexican cumbia song, a genre familiar to the band. [9] [10] It marked a departure from Emilia's usual musical style; however, in her beginnings as a singer, she was the vocalist of the Uruguayan cumbia band Rombai. [6] The lyrics of the song are about a love that goes away and when it comes back, it is too late. [1]
"La Cumbia Triste" Los Angeles Azules y Alejandro Fernández [16] April 20 "Tu Perfume" Banda MS [17] April 27 "First Love" Óscar Ortíz and Edgardo Nuñez [18] May 4 "Dias Buenos, Dias Malos" Calibre 50 [19] May 11 "Ya Pedo Quien Sabe" Grupo Frontera and Christian Nodal [20] May 18 "(Entre Paréntesis)" Shakira and Grupo Frontera [21] May 25
"Mi Niña Mujer" is a song by Mexican group Los Ángeles Azules from Los Ángeles Azules's 1996 studio album Cómo Te Voy a Olvidar. A remix version featuring American duo Ha*Ash was released on August 5, 2016. [1] The track peaked at number 31 in the Mexico Airplay, [2] number 11 in the Mexico Espanol Airplay charts in México. [3]
A cumbia version of the song was released on April 20, 2018, by Mexican group Los Ángeles Azules, as a single for their 2018 album Esto Sí Es Cumbia. [23] Lafourcade appears as a featured artist in the song. It was produced by Camilo Lara, with arrangements by Jorge Mejía-Avante and mixing by Abelardo Rivera. [24]
Popular Mexican Cumbia composers and interpreters include Rigo Tovar y su Costa Azul, Celso Piña, Pilar Montenegro, Ninel Conde, Los Caminantes, and Selena. Los Ángeles Azules play the cumbia sonidera genre, which is a cumbia subgenre using the accordion and synthesizers. This results in a fusion of the sounds of cumbia from the 1950-1970s ...
Later, tropical cumbia artists such as Celso Piña, Margarita la Diosa de la Cumbia, and Los Ángeles Azules would be included under the term grupera. A turning point in the development of grupera was the popularization of groups based on banda sinaloense mainly through Banda el Recodo and others like La Original Banda El Limón and La ...