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"Chasing Pavements" is a song recorded by English singer-songwriter Adele for her debut studio album, 19 (2008). Written by Adele with her producer Francis "Eg" White, the song was released as the second single from the album on 14 January 2008. Its lyrics describe questioning whether or not to keep chasing something that is not going anywhere.
At this time, the singer contributed guest vocals on the song "My Yvonne" for Jack Peñate's debut studio album Matinée (2007). [2] The first single released from 19 was "Chasing Pavements", which Adele wrote in collaboration with Eg White. [3] They co-wrote two other songs for the album: "Melt My Heart to Stone" and "Tired". [3]
Adele performed "Chasing Pavements" and "Cold Shoulder", [29] and the following day, 19 topped the iTunes charts and ranked at number five at Amazon.com while "Chasing Pavements" rose into the top 25. [30] The album reached number 11 on the Billboard 200 as a result, a jump of 35 places over the previous week. [31]
Adele spilled a few secrets behind the lyrics of some of her biggest hits in a new video for her Elle cover story. The singer reflected on material ranging from her first album, “19” to her ...
Adele performed "Chasing Pavements" and "Cold Shoulder", [43] and the following day, 19 topped the iTunes charts and ranked at number five at Amazon.com while "Chasing Pavements" rose into the top 25. [44] The album reached number 11 on the Billboard 200 as a result, a jump of 35 places over the previous week. [45]
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The album reached number one on the UK Albums Chart, and her single, "Chasing Pavements", reached number two on the UK Singles Chart. [5] Another single, "Make You Feel My Love", reached number one in the Netherlands. 21, Adele's second studio album, was released on 24 January 2011.
"Easy on Me" is a torch song and ballad [14] which places emphasis on Adele's vocals over piano instrumentation. [15] The song opens with a gentle piano, which intensifies as it progresses, leading into the vocals. [16] [17] Adele's voice mimics this according to The Guardian ' s Alexis Petridis, as it "sounds initially wounded, then soars". [17]