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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
With more than 400 sculptures and masks from museums and private collections in Europe, the USA and Africa, the exhibiton and extensive catalogue made an important contribution to the public appreciation of traditional wood carving from Tanzania.
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
Measuring about 48-55 centimeters in height, ndop were carved in hardwood and anointed with palm oil to protect them from insects, which is unique in African art and underscores their survival in Western collections today. Ndop sculptures depict subjects sitting cross-legged, a posture that is equally unique in African sculpture.
Kigango (plural: vigango) is a carved wooden memorial statue erected by the Mijikenda peoples of the southeastern Kenya coast. The vigango, which can be stylized, abstracted human-form effigies and are placed vertically rising out of the earth, honor a dead member of the secret Gohu society, or the "Society of the Blessed". [1] [2]
Measuring about 48-55 centimeters in height, ndops are carved of hardwood, which is unusual in African art, and they are in a posture that is equally rare in African sculpture. Each sits crosslegged on a square base from which a small wooden object projects. The figures' identities can be determined according to these emblematic objects. [8]
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