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"Billie Jean" is a song by the American singer Michael Jackson, released by Epic Records on January 3, 1983, as the second single from his sixth studio album, Thriller (1982). It was written and composed by Jackson, produced by Quincy Jones, and co-produced by Jackson. "Billie Jean" blends post-disco, R&B, funk, and dance-pop. The lyrics ...
According to Daryl Hall, during the recording of "We Are the World", Michael Jackson approached him and admitted to lifting the bass line for "Billie Jean" from a Hall & Oates song, apparently referring to "I Can't Go for That (No Can Do)." Hall says that he told Jackson that he had lifted the bass line from another song himself, and that it ...
When working on Thriller, 24-year-old Jackson wrote only four of the tracks himself: "Wanna Be Startin' Somethin'", "The Girl Is Mine", "Beat It” and "Billie Jean." The others were selected by ...
Jason Elias, a writer for Allmusic, noted that "Don't Stop 'Til You Get Enough" presents a "new Michael Jackson" that was "sexual, adult, and aggressive. [7] Elias commented that "Like the best of Jones' late-'70s, early-'80s work, this [song] wasn't quite disco, couldn't be hardcore funk – it was an amalgam of styles with the all-important ...
Michael Jackson on 'Yesterday, Today, Forever,' which aired in May 16, 1983. ... Mischer and de Passe ended up letting Jackson perform “Billie Jean,” with Mischer volunteering to take the call ...
In "Billie Jean", Jackson sings about an obsessive fan who alleges he fathered her child; in "Wanna Be Startin' Somethin'" he argues against media gossip. [30] [29] For "Billie Jean", Jones had Jackson sing overdubs through a six-foot (180 cm) cardboard tube and brought in jazz saxophonist Tom Scott to play the lyricon, a wind-controlled ...
It was Jackson's third music video (after "Billie Jean" and "They Don't Care About Us") to achieve this milestone. [ 59 ] The music video of the song appears on the video albums: Video Greatest Hits – HIStory , HIStory on Film, Volume II , Number Ones , on the bonus DVD of Thriller 25 and Michael Jackson's Vision .
The recordings were followed by a cappella performances of "Dangerous" and "Billie Jean", giving a rare insight into his songwriting habits. As Cartier was unable to supply any original tapes to back up her suit, the judge found in Jackson's favor, and Cartier was refused the right to appeal.