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Posters used the language spoken in the region they were to be used in, and thus propaganda posters using the Arabic and Latin scripts exist, in addition to Cyrillic. [ 15 ] [ 18 ] Arabic script in posters had begun to be phased out by the 1930s, as the Soviet government promoted Latin-based scripts for speakers of languages such as Azerbaijani ...
This work is in the public domain in Russia according to article 1281 of the Civil Code of the Russian Federation, articles 5 and 6 of Law No. 231-FZ of the Russian Federation of December 18, 2006 (the Implementation Act for Book IV of the Civil Code of the Russian Federation). This usually means that one of the following conditions is fulfilled.
The Slabinja Monument to the fallen fighters and victims of WWII fascism from Slabinja, Croatia, seems to be directly inspired by this poster. [7]English doom metal band Witchfinder General employ the red wedge motif in the artwork accompanying their 1982 EP Soviet Invasion, and The Wake used the artwork for their twelve-inch single "Something Outside" in 1983. [8]
The Museum of International Propaganda features a permanent collection of propaganda posters, paintings, sculptures, and artifacts from more than 25 countries. The main gallery showcases unique and educational images, representing the political art of various nations, including North Korea, Cuba, Nazi Germany, China, Iran, and the Soviet Union. [1]
The term originated in the Soviet Union as a shortened name for the Department for Agitation and Propaganda (отдел агитации и пропаганды, otdel agitatsii i propagandy), which was part of the central and regional committees of the Communist Party of the Soviet Union. [6]
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View a machine-translated version of the Russian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
The Soviet political poster has shown a successful past application of visual propaganda in political strife. The primary focus of Grigorian's collection is on political propaganda, hence such famous categories as cinema, theatre, circus, sports and advertisement have been deliberately excluded, unless they have a clear underlying political ...