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The Colorsound Power Boost is a treble and bass booster that runs on 18 volts, using two nine-volt batteries. David Gilmour used this orange coloured unit, but is often misunderstood to have used an Orange brand Treble Booster. [14] Other notable users include Gary Moore. [15]
Separate bass amplifiers which do not contain speakers, often called "heads" or "amp heads", are usually integrated units, with a preamplifier, equalizer (bass and treble controls) and a power amplifier combined in a single unit. Some bassists use separate preamplifier/power amplifier setups, where one or more preamplifiers drive one or more ...
Active tone controls may also amplify or "boost" certain frequencies. More elaborate tone control circuits can boost or attenuate the middle range of frequencies. The simplest tone control is a single knob that when turned in one direction enhances treble frequencies and the other direction enhances bass frequencies.
The bass control may be used, for instance, to increase the drum and bass parts at a dance party, or to reduce annoying bass sounds when listening to a person speaking. The treble control might be used to give the percussion a sharper or more "brilliant" sound, or can be used to cut such high frequencies when they have been overemphasized in ...
Treble describes tones of high frequency or high pitch, ranging from 6 kHz to 20 kHz, [1] comprising the higher end of the human hearing range. In music, this corresponds to high notes. The treble clef is often used to notate such notes. [2] Treble sound is the counterpart to bass sound.
The Dallas Rangemaster Treble Booster was an effects unit made for guitarists in the 1960s. Its function was two-fold: to increase the signal strength of the guitar going into the amplifier, and to increase tones at the high end of the spectrum (a treble booster).
Later on, Vox also offered additional versions of the AC30 unit. In addition to the "Normal" version without the Top Boost, and the Top Boost version (which was a Normal version with the "Brilliance" unit added), Vox, with slight circuit modifications, created two more versions that were "voiced" in Brilliant (Treble), and Bass styles.
As a result audio material may become thin sounding at low volumes, losing bass and treble. The loudness compensation feature applies equalization and is intended to rectify this situation. [ 3 ]
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