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Other examples of nocturnes include the one for orchestra from Felix Mendelssohn's incidental music for A Midsummer Night's Dream (1848), the set of three for orchestra and female choir by Claude Debussy (who also wrote one for solo piano) and the first movement of the Violin Concerto No. 1 (1948) by Dmitri Shostakovich. French composer Erik ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
For instance, the first piece of the cycle is a canon of gestures. (2008) "I Predict Some Quiet" by the Kaiser Chiefs (2005) "In Remembrance" by Pan.Thy.Monium on Khaooohs and Kon-Fus-Ion (1996) "[intermission]" by Titus Andronicus (band) on The Most Lamentable Tragedy (2015) "Intentionally Left Blank" by James Holden (in The Idiots Are Winning ...
Second exposition: The piano enters with an ascending scale motif. The structure of the exposition in the piano solo is similar to that of the orchestral exposition. Development: The piano enters, playing similar scales used in the beginning of the second exposition, this time in D major rather than C minor. The music is generally quiet.
Dresden sits on the Elbe river, providing a quiet environment for Rachmaninoff (1900) Piano Sonata No. 1 in D minor, Op. 28, is a piano sonata by Sergei Rachmaninoff, completed in 1908. [1] It is the first of three "Dresden pieces", along with the Symphony No. 2 and part of an opera, which were composed in the quiet city of Dresden, Germany. [2]
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
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The piano then comes in with an octave passage, spanning four octaves. A duet ensues between the piano and the clarinet in a quiet and peaceful passage, which is soon taken over again by the main theme. Following this, the piano plays fast, downward chromatic octaves, before recapitulating a section from earlier in the movement, this time in G ...
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