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A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
The term is often used to refer specifically to mishearings of song lyrics (cf. soramimi). Onomatopoeia: a word or a grouping of words that imitates the sound it is describing; Phonetic reversal; Rhyme: a repetition of identical or similar sounds in two or more different words Alliteration: matching consonants sounds at the beginning of words
Much lyric poetry depends on regular meter based either on syllable or on stress – two short syllables or one long syllable typically counting as equivalent – which is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song ...
If a lyric is not properly set, a word might be mistaken for a different word, or be completely unidentified. Songs are constantly moving forward, so there is little time for the listener to decipher words. By the time the listener identifies an improperly set lyric, the song has already moved onto new words and melodies.
In Jim Reeves's version of the Joe Allison and Audrey Allison song "He'll Have to Go," the singer's voice sinks on the last word of the line, "I'll tell the man to turn the juke box way down low." When Warren Zevon sings "I think I'm sinking down," on his song " Carmelita ," his voice sinks on the word "down."
A new English course at the College of the Holy Cross in Massachusetts takes a look at Taylor Swift's lyrics and compares them with poetry that's hundreds of years old.
In music, prosody is the way the composer sets the text of a vocal composition in the assignment of syllables to notes in the melody to which the text is sung, or to set the music with regard to the ambiance of the lyrics. However, the relationship between syllables and melodic notes is just one dimension of musical prosody.
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