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Caribbean Currents: Caribbean Music from Rumba to Reggae (2nd edition). Temple University Press, 2006. ISBN 1-59213-463-7. {}: CS1 maint: multiple names: authors list ; Manuel, Peter (2000). East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000.
This was a breakthrough for East Indian Caribbean music, but the fame was short lived. Chutney music exploded again in 1968 with the female singer Dropati, who released an album entitled Let's Sing & Dance, made up of traditional wedding songs. These songs became huge hits within the Indo-Caribbean community.
East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. "The African Folk Music Tradition from Guyana: A Discourse and Performance". Brown Bag Colloquium Series 2003–2004. Seals, Ray. "The Making of Popular Guyanese Music"
Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press. ISBN 1-56639-338-8. Manuel, Peter (2000). East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. Scholtens, Ben (1994). Bosneger en overheid in Suriname.
Indo-Belizeans, also known as East Indian Belizeans, are citizens of Belize of Indian ancestry. The community made up 3.9% of the population of Belize in 2010. [ 2 ] They are part of the wider Indo-Caribbean community, which itself is a part of the global Indian diaspora .
The most well-known is the Indo-Trinidadian chutney music tradition. Chutney is a form of popular dance music that developed in the mid-to late 20th century. Baithak Gana is a similar popular form originating in Suriname. Modern Indian film music, filmi, is also renowned among Indo-Caribbean people.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The country is a second home for many of the pan-Caribbean genres of popular music, and has produced stars in calypso, soca, steeldrum, zouk and reggae. Of these, steeldrum and calypso are the most integral parts of modern Antiguan popular music; both styles are imported from the music of Trinidad and Tobago.