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Gillespie and the full band continue the bebop mood, using swing eighths in spite of Pozo's continuing even eighths, until the final A section of the theme returns. Complete assimilation of Afro-Cuban rhythms and improvisations on a harmonic ostinato was still a few years away for the beboppers in 1947."
"Criss-Cross" (originally titled "Sailor Cap") [5] was one Monk's first compositions, he wrote early in 1944 as response to a collaborative project between Monk, Mary Lou Williams, and Bud Powell. [38] It was first recorded on July 23, 1951, for the Genius of Modern Music sessions, and was later featured on the 1964 album of the same name. [39]
When it was published, it was the first volume of a projected two volume history of jazz through the Swing era. (Schuller died before he could write a promised third volume, on the bebop period and after.) The book takes an enthusiastic tone to its subject. [3]
[17] [112] Some students first sang solos from a recording slowed to half the normal speed; eventually they learned to sing and play them at normal speed. [113] Tristano stressed that the student was not learning to imitate the artist, [ 114 ] but should use the experience to gain insight into the musical feeling conveyed. [ 17 ]
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Drummin' Men: The Heartbeat of Jazz The Bebop Years. New York: Oxford University Press. p. 80. ISBN 0-19-514812-6. "I Got Rhythm" 1930 George Gershwin "More Moon" [1] Shorty Rogers "How High the Moon" 1940 Morgan Lewis "Moten Swing" [77] 1932: Bennie Moten, Buster Moten, Count Basie, Eddie Durham "You're Driving Me Crazy" 1930: Walter Donaldson ...
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
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