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The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
Noh, kyogen, bunraku, and kabuki plays derived from folk tales feature them, [75] [76] as do contemporary works such as native animations, comic books and video games. [77] Japanese metal idol band Babymetal refer to the kitsune myth in their lyrics and include the use of fox masks, hand signs, and animation interludes during live shows. [78]
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Japanese Nanatsumen (七つ面) is a play in the Kabuki repertoire, and one of the celebrated Kabuki Jūhachiban ("Eighteen Great Plays"). The play is known in English as The Seven Masks .
Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers. The term kabuki originates from a verb that was used to describe young samurai patrons, meaning "being weird" or "offbeat." [1]
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [ a ] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I , it was adapted to kabuki the following year.
Masks of any type are called tal (Korean: 탈) in Korean, but they are also known by many others names such as gamyeon, gwangdae, chorani, talbak and talbagaji. Korean masks come with black cloth attached to the sides of the mask designed to cover the back of the head and also to simulate black hair. [1]