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A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not necessarily imply that a male is performing the task.
Boom Operator – The person who holds the microphone boom. Boom up (Boom down) – To raise, or lower, a camera or microphone that is already mounted on a crane or dolly. Butterfly frame – A large aluminum frame that filters light through a fabric stretched from edge to edge, often used during outdoor shoots.
A Camera control unit operator (typically credited as CCU operator) controls the camera control unit, which is a series of camera remote controls for exposure, white balance, and contrast, to regulate the picture quality between multiple cameras.
In a two-operator situation, one person operates the jib arm/boom while another operates the pan/tilt/zoom functions of the remote head. An example of this is the Newton stabilized remote head, [ 3 ] that stabilizes the camera under fast jib operation and also enables camera roll.
While the camera operator is moving with the camera, the dolly grip is responsible for the operator's safety, helping the operator to "blindly" negotiate sometimes complicated environments. The dolly grip silently directs the operator (through gentle touches, nudges, pulls and pushes) away from walls and other obstacles that the operator cannot ...
The Society of Camera Operators for Camera Operator of the Year – Film is an annual award given by the society to camera operators for their outstanding achievements in field of filmmaking in a given year. The award was first given out in 2008 and, aside from 2011, has presented every year since, for film achievements from the previous year.
Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
The camera operators are freed from the control of iris, black level and colour balance, leaving them free to concentrate on other aspects of camerawork such as blocking and image composition. [4] All signals that operate between the camera and CCU are carried in one multicore cable, triax or fiber optic cable.
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