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Qawwali at Ajmer Sharif Dargah. Qawwali is a form of Sufi Islamic devotional singing originating in India.Originally performed at Sufi shrines or dargahs throughout The Indian subcontinent, [1] it is famous throughout Pakistan, India, Bangladesh and Afghanistan and has also gained mainstream popularity and an international audience as of the late 20th century.
Bulleh Shah gave an entirely different color to the qawwali, adding verses in praises of Shahbaz Qalandar and giving it a large tint of Sindhi culture. It also venerates Ali, the cousin and son-in-law of Muhammad. Contrary to popular legend, renowned Pakistani composer Ashiq Hussain only composed a dhamaal version of it.
The song is a staple of most Qawwali sessions in North India and Pakistan, especially in the Chishti shrines of Delhi. It is traditionally sung as a closing piece at the end of a Qawwali session. The song is celebratory in tone and holds a prominent place in the landscape of Sufi music. The word "rang" or "rung" literally translates into "color."
Allah Hoo (Allāhu) is a traditional Sufi chant consisting of the word for God (Arabic: الله, Allāh) run together three times, followed by Truth (): Allāhu Allāhu Allāhu Haqq, itself repeated three times over.
Qawwali is the best-known form of Sufi music and is most commonly found in the Sufi culture in South Asia. However, music is also central to the Sema ceremony of the whirling dervishes , which is set to a form of music called Ayin, a vocal and instrumental piece featuring Turkish classical instruments such as the ney (a reed flute).
Chhaap Tilak Sab Chheeni, is a Kafi written and composed by Amir Khusro, a 14th-century Sufi mystic, in North Central Indian language Braj Bhasha.Due to the resonance of its melody and mystical lyrics, it is frequently heard in Qawwali concerts across Indian Subcontinent. [1]
In 2020, Rahat Fateh Ali Khan paid homage to his uncle Nusrat Fateh Ali Khan with a cover version of the song, saying, "Sanson Ki Mala [is] a Qawwali very close to my heart, and this time it has been presented as a fusion track, conceptualised by Salman Ahmed.
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.