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Conceptual photography is often used interchangeably with fine-art photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. [4] Fine art photography is inclusive of conceptual photography.
Abstract photography, sometimes called non-objective, experimental or conceptual photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.
Emotional responses are often regarded as the keystone to experiencing art, and the creation of an emotional experience has been argued as the purpose of artistic expression. [2] Research has shown that the neurological underpinnings of perceiving art differ from those used in standard object recognition . [ 3 ]
The term is introduced in Mark Johnson's book The Body in the Mind; in case study 2 of George Lakoff's Women, Fire and Dangerous Things: and further explained by Todd Oakley in The Oxford handbook of cognitive linguistics; by Rudolf Arnheim in Visual Thinking; by the collection From Perception to Meaning: Image Schemas in Cognitive Linguistics ...
Camera Lucida: Reflections on Photography (French: La Chambre claire, pronounced [la ʃɑ̃bʁ klɛʁ]) is a short book published in 1980 by the French literary theorist and philosopher Roland Barthes. It is simultaneously an inquiry into the nature and essence of photography and a eulogy to Barthes' late mother. The book investigates the ...
A famous example of title confusion that altered a work's title/image relationship, and thus its ostensive meaning, is a painting titled La trahison des images (The treachery of images), by René Magritte, that is often referred to as "This is not a pipe". It contains an image of a pipe as well as the legend "This is not a pipe," even though ...
The theory of constructed emotion (formerly the conceptual act model of emotion [1]) is a theory in affective science proposed by Lisa Feldman Barrett to explain the experience and perception of emotion. [2] [3] The theory posits that instances of emotion are constructed predictively by the brain in the moment as needed.
Amateur Photographers: people who enjoy photography, join photography societies, and obtain new and updated cameras, lenses, light sources, etc. [6] [20] These photographers are less personally expressive, since they are often inspired to imitate work of other photographers they admire, and are masked by attempting to master a technical skill.
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