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Okwui Enwezor // ⓘ (23 October 1963 – 15 March 2019) [1] was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City [ 2 ] and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
Okwui Enwezor served as the 56th Biennale's curator, its first from Africa. [1] His theme was "All The World's Futures". Enwezor created the Arena, an interdisciplinary space for live performance in Giardini's Central Pavilion. The Arena's main performance was a live reading of Das Kapital .
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Another example for subverting binary taxonomies is the book Contemporary African Art after 1980 by Okwui Enwezor and Chika Okeke-Agulu. [21] Rather than putting contemporary African art in relation to Western traditions, they contrast it with modern African art, in that it defies linear grand narratives of modernism and is radically postcolonial.
Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée , based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994.
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The Crown Wallpaper Archive, comprising 5,000 wallpaper samples and pattern books from the early 1950s to the late 1960s, is held at the Museum of Domestic Design and Architecture. [ 3 ] [ 4 ] References