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The first opening theme, which is used for the first twenty-six episodes, is "Drawing days" by SPLAY. It is followed by LM.C's "Boys and Girls", ...
Daiki Kasho (嘉生 大樹, Kashou Daiki, born November 2, 1976), [1] stylized as daiki kasho, is a Japanese video game composer best known for his contributions to the Gran Turismo series of racing games by Polyphony Digital.
Pappyland is an American half-hour children's television series written by Jon Nappa and broadcast on WCNY-TV in Syracuse, New York and PBS stations from 1993-1999. Thereafter, the show was moved to TLC and began airing new episodes on its Ready Set Learn! block from September 30, 1996 [1] until 1997, with reruns airing until February 21, 2003.
Writings and Drawings is a collection of lyrics and personal drawings from Bob Dylan. It was published in 1973 and is currently out-of-print . The book contains Dylan's lyrics in chronological order, from 1962's Bob Dylan to 1970's New Morning . [ 1 ]
During the closing credits, Dennis gets Alice's condescending coworker, Andrea, caught in the office copy machine. Gardish: Shiva's photo is shown on the criminal's display board and credits roll. Les Visiteurs: Tower guard says farewell. 1994 Drunken Master II: A collection of behind-the-scenes footage from the film plays during the credits ...
MacColl's label, Virgin, had intended to release "Days" as the lead single, but MacColl felt the first single from Kite had to be one which she wrote. [15] Recalling her version of "Days", MacColl told James Bennett in 1994: "I think my version is a bit slower [than the Kinks' original], I wanted to give it the ABBA treatment. I wanted people ...
"One of These Days" is a song written by Earl Montgomery, first recorded by George Jones in 1972, [1] and most successfully released by American country music artist Emmylou Harris in March 1976 as the second single from the album Elite Hotel. The Emmylou Harris recording reached number 3 on the Billboard Hot Country Singles & Tracks chart. [2]
Shelton Brooks and "Some of These Days" was brought to Sophie Tucker's attention in 1910 by her maid, who insisted she meet Brooks and hear the song. [1] Tucker instantly recognized its hit potential, performed and recorded many versions throughout the years, and eventually it became her signature song—including landing movie appearances to perform it.