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In a theatre, a box, loge, [1] or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. The interior of the Palais Garnier , an opera house , showing the stage and auditorium, the latter including the floor seats and the opera boxes above
Lifehouse began as a story written around several songs. According to Pete Townshend: "The essence of the story-line was a kind a futuristic scene...It's a fantasy set at a time when rock 'n' roll didn't exist. The world was completely collapsing and the only experience that anybody ever had was through test tubes.
The Italian word opera means "work", both in the sense of the labor done and the result produced. The Italian word in turn derives from the Latin opera.Opera is also the Latin plural of opus, with the same root, but the word opera was a singular Latin noun in its own right, and according to Lewis and Short, in Latin "opus is used mostly of the mechanical activity of work, as that of animals ...
Opera (from the Latin opera, plural of opus, "work") is a musical genre that combines symphonic music, usually performed by an orchestra, and a written dramatic text—expressed in the form of a libretto—interpreted vocally by singers of different tessitura: tenor, baritone, and bass for the male register, and soprano, mezzo-soprano, and ...
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works ...
La Loge ('The Theatre Box') is an 1874 oil painting by Pierre-Auguste Renoir. It is part of the collection at the Courtauld Institute of Art in London. [1] The painting depicts a young couple in a box at the Paris theatre. The woman was modeled by Nini Lopez, Renoir's new model who would feature in fourteen of his paintings over the next few years.
Paisiello's most famous comic opera, later eclipsed by Rossini's work of the same name. [39] 1786 Der Schauspieldirektor (Mozart). Another Singspiel with much spoken dialogue taken from plays of that time, the plot of Der Schauspieldirektor features two sopranos vying to become prima donna in a newly assembled company.
The American prompter Philip Eisenberg recounted the story of a Maria Callas performance during which she needed louder prompts. The famed diva swooped down in a curtsy right in front of the prompter's box and – mid-curtsy, unnoticed by the audience – gave the Italian command "più forte!" ('louder') to her boxed colleague. [full citation ...