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Consequently, Canboulay has played an important role in the development of the music of Trinidad and Tobago, for it was the banning of percussion instruments in the 1880s that led to the surreptitious innovations that gave birth to steelpan music. It is re-enacted in Port of Spain each Carnival Friday in Trinidad.
Calypso, with its satirical and socio-political lyrics, was developed in the 18th century as a fusion of African and French music styles. It eventually accompanied the rise of steelpan music. Steelpan were imported to Saint Vincent quickly. Calypso's political lyrics have continued to be an important part of the genre.
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The World Festival of Black Arts (French: Festival Mondial des Arts Nègres), also known as FESMAN or FMAN, has been a series of month-long culture and arts festivals taking place in various parts of Africa. The festival features participants of cultural expression – arts, literature, music, cinema - from around the African Diaspora. [1]
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte.
After emancipation, freed African slaves transformed the festival into a celebration of freedom, blending African heritage and Caribbean Creole culture. [2] In 1834, the Caribbean festival took root in Trinidad and Tobago, when French settlers brought the Fat Tuesday masquerade tradition to the island.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Desperadoes have won the (Pan Is Beautiful) Steel Orchestra Music Festival of Trinidad and Tobago three times. They played the "Polovetsian Dances" by Borodin in 1986, the "Marche Slave" from Tchaikovsky in 1988 and the "Bartered Bride" by Smetana in 1992. Their classical renditions were all arranged and conducted by the late, Dr. Pat Bishop.