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In birds with song repertoires, individuals may share the same song type and use these song types for more complex communication. [23] Some birds will respond to a shared song type with a song-type match (i.e. with the same song type). [24] This may be an aggressive signal; however, results are mixed. [23]
Passerine birds produce song through the vocal organ, the syrinx, which is composed of bilaterally symmetric halves located where the trachea separates into the two bronchi. Using endoscopic techniques, it has been observed that song is produced by air passing between a set of medial and lateral labia on each side of the syrinx. [1]
Australian Bird Calls (also referred to as Songs of Disappearance: Australian Bird Calls and just Songs of Disappearance) is an album of Australian bird calls, released on 3 December 2021 by the Bowerbird Collective and BirdLife Australia. It was created to bring attention to endangered and threatened species of Australian birds. [1]
"The Bottom Line" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). It was written, and produced by Mick Jones , his debut single with a band singing lead vocals since being fired from the Clash in 1983.
The song was recorded in November 1969, along with other tracks that would make up the band's third album, Creation. When recording the folk-inspired song, the band used autoharp and improvised percussion by hitting a wooden organ lid, the sole of a shoe and a box of matches, rather than using a full drum kit.
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
The Bottom Line Encore Collection is the fourth live album by Harry Chapin, released in 1998 (see 1998 in music) as a two-CD compilation. It was recorded at the Village in New York, and was Harry's two-thousandth concert. The setlist was composed of songs throughout Harry's music career (1972–1981).
The album was released on 30 August 2019 and peaked at number 43 on the ARIA Charts. The album brings six musicians together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. [ 1 ]