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They went from being a mostly rural population to one that was mostly urban. "The migration of African Americans from the rural south to the urban north became a mass movement." [16] The Great Migration radically transformed Chicago, both politically and culturally. [17] From 1910 to 1940, most African Americans who migrated north were from ...
Students learn to make scale model aircraft for the war effort in a class at the Ida B. Wells Homes community center (March 1942) Named for African American journalist and newspaper editor Ida B. Wells, [1] the housing project was constructed between 1939 and 1941 as a Public Works Administration project to house black families in the "ghetto", in accordance with federal regulations requiring ...
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Black Metropolis: A Study of Negro Life in a Northern City, authored by St. Clair Drake and Horace R. Cayton, Jr., is an anthropological and sociological study of the African-American urban experience in the first half of the 20th century. [1] Published in 1945, later expanded editions added some material relating to the 1950s and 1960s. [2]
The Black Metropolis–Bronzeville District is a historic African-American district in the Bronzeville neighborhood of the Douglas community area on the South Side of Chicago, Illinois. The neighborhood encompasses the land between the Dan Ryan Expressway to the west, Martin Luther King Jr. Drive to the east, 31st Street to the north, and ...
Eleanor Roosevelt at the dedication of South Side Community Art Center (May 7, 1941). Efforts to open a community art center on Chicago's South Side began in 1938. Peter Pollack, a Federal Art Project official, contacted Metz Lochard, an editor at the Chicago Defender, about having the Art Project sponsor exhibitions of African American artists, who often had trouble securing space to display ...
From the 1940s onward, Holsman focused on designing residences for Chicago's African-American citizens, such as his Princeton Park community. [ 5 ] [ 6 ] While Chicago's African-American population boomed from 1920 to 1970 due to the Great Migrations , discriminatory housing policies forced African-Americans to live in the "Black Belt" section ...
The area rapidly changed from European American to African-American in the 1920s. By 1930, the population was only 7.8% white. By 1960, the population was 0.5% white. [11] From 1950 to 2000 the total population of the neighborhood declined from 57,000 to 14,146. [4]