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Where the main subject of an artistic work - such as a painting - is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art - such as a painting on a vase.
The motif then spread to Persia, Egypt and the Hellenistic world, and as far as India, where it can be found on the abacus part of some of the Pillars of Ashoka or the Pataliputra capital. [ 4 ] Bead and reel motifs can be found abundantly in Greek and Hellenistic sculpture and on the border of Hellenistic coins.
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
Andrea Palladio's I quattro libri dell'architettura (Four Books on Architecture) (Venice, 1570), [9] which included both drawings of classical Roman buildings and renderings of Palladio's own designs utilizing those motifs, became the most influential book ever written on architecture.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia , often in forms that bear relatively little resemblance to the original.
To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato Bramante [2] and later mentioned by Serlio in his seven-volume architectural book Tutte l'opere d'architettura et prospetiva expounding the ideals of Vitruvius and Roman architecture, this arched window is flanked by two lower ...
Classical architecture – architecture of classical antiquity, that is, ancient Greek architecture and the architecture of ancient Rome. It also refers to the style or styles of architecture influenced by those. For example, most of the styles originating in post-Renaissance Europe can be described as classical architecture. This broad use of ...
The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his Stilfragen that acanthus ornament originated as a sculptural version of the palmette , and only later began to resemble Acanthus spinosus .