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That to him is what made art mobile when to many, including Rodin, it was rigidly and unflinchingly immobile. Gleizes first stressed the necessity for rhythm in art. To him, rhythm meant the visually pleasant coinciding of figures in a two-dimensional or three-dimensional space.
From 1927 and forward the recognized definition of "Counter Rhythm [53]" is "A subordinate rhythm acting as a counterbalance to the main rhythm" (OED [53]). Counter Rhythm is not a common word or phrase in the English Language, appearing approximately 0.01 times per million words in modern written English.
One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture."
Primarily a performance art, it is also used in education, especially in Waldorf schools, and – as part of anthroposophic medicine – for claimed therapeutic purposes. [1] [2] The word eurythmy stems from Greek roots meaning beautiful or harmonious rhythm. (“Eu” meaning “well”). [3]
Art for psychological and healing purposes. Art is also used by art therapists, psychotherapists and clinical psychologists as art therapy. The Diagnostic Drawing Series, for example, is used to determine the personality and emotional functioning of a patient. The end product is not the principal goal in this case, but rather a process of ...
Meyer lists melody, rhythm, timbre, harmony, "and the like" [12] as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". [13] According to McClellan, two things should be considered, the quality or state of an element and its change over time. [14]
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.