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African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
The book contains contributions by European and American ethnologists, art historians and collectors on aspects of traditional sculptural art from Tanganyika. More than 500 black-and-white photographs of sculptures and masks from public and private collections as well as maps, illustrations and a bibliography complement the individual chapters.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Stephanie Diakité and Dr. Abdel Kader Haidara began a campaign to raise money for the preservation of the books including a crowd-funding campaign called "Timbuktu Libraries in Exile". [37] Whereas many institutions have provided funding, equipment and/or training, the leading role in all the proceedings is played by the local people.
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
Benin art is the art from the Kingdom of Benin [1] or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. [2] Primarily made of cast bronze and carved ivory , Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a ...
Rulers of Kush, 7th century BCE, Kerma museum Nubian pyramids of Meroe, 300 BCE to about 350 CE Sudanese jirtig ceremony as part of wedding celebrations The visual arts of Sudan encompass the historical and contemporary production of objects made by the inhabitants of today's Republic of the Sudan and specific to their respective cultures.
The problem of anonymity in Yoruba art in particular is troubling in the context of Yoruba culture where "it is absolutely imperative for individuals to acknowledge each other's identity and presence from moment to moment, [and where] there is a special greeting for every occasion and each time of day."