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Eros the Bittersweet: An Essay (1986) is the first book of criticism by the Canadian poet, essayist, translator, and classicist Anne Carson.. A reworking of her 1981 doctoral thesis Odi et Amo Ergo Sum ("I Hate and I Love, Therefore I Am"), [1] Eros the Bittersweet "laid the groundwork for her subsequent publications, […] formulating the ideas on desire that would come to dominate her poetic ...
The work focuses simultaneously on literature and the arts, as well as on politics and the "historical fabric of the era." [ 2 ] Professor Jon Dietrick writes that, in The Gold Standard , the author locates in American literary naturalism an anxiety over issues of material reality and representation.
Bittersweet is based on the premise that "light and dark, birth and death—bitter and sweet—are forever paired". [1] Cain encourages the reader to accept feelings of sorrow and longing as inspiration to experience sublime emotions—such as beauty and wonder and transcendence—to counterbalance the "normative sunshine" of society's pressure ...
These relationship quotes span early love, falling in love, long-distance relationships, happy marriages, and couples with a good sense of humor.
The Summer of Bitter and Sweet won the Governor General's Award for young people's literature – text at the 2022 Governor General's Awards. [1] [2] The book was selected by a three-person peer assessment committee, and the award was granted by the Canada Council for the Arts, which is normally presented by the Governor General of Canada at a ceremony held at Rideau Hall.
Books say: she did this because. Life says: she did this. Books are where things are explained to you; life is where things aren’t. I’m not surprised some people prefer books.
The bulk of the introduction follows the story of a man and a woman who live in a small grass hut in a village surrounded by a horseradish field. They generally live a routine life, and, as they have no taste for the horseradish, spend most of their time hunting to prepare raisin-stuffed snails to provide for their meals.
However, a sensitive and passionate Catullus could not relinquish his flame for Clodia, regardless of her obvious indifference to his desire for a deep and permanent relationship. In his poems, Catullus wavers between devout, sweltering love and bitter, scornful insults that he directs at her blatant infidelity (as demonstrated in poems 11 and 58).