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A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
The mansard roof, a defining feature of Second Empire design, had evolved since the 16th century in France and Germany and was often employed in 18th- and 19th-century European architecture. Its appearance in the United States was relatively uncommon in the 18th and early 19th centuries.
The steep slope may be curved. An element of the Second Empire architectural style (Mansard style) in the U.S. Neo-Mansard, Faux Mansard, False Mansard, Fake Mansard: Common in the 1960s and 70s in the U.S., these roofs often lack the double slope of the Mansard roof and are often steeply sloped walls with a flat roof. Unlike the Second Empire ...
Portrait of Jules Hardoun Mansart by Hyacinthe Rigaud, with Les Invalides in background. Jules Hardouin-Mansart (French pronunciation: [ʒyl aʁdwɛ̃ mɑ̃saʁ]; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the ...
It was so named for the architectural elements in vogue during the era of the Second French Empire. [6] As the Second Empire style evolved from its 17th-century Renaissance foundations, it acquired a mix of earlier European styles, most notably the Baroque, often combined with mansard roofs and/or low, square-based domes. [7]
The residential square, a group of houses with of identical size and identical architecture around a square, usually with a fountain in the middle, first based on the Italian model, appeared in Paris in the Place Royal (now Place des Vosges) between 1605 and 1613. The buildings had high mansard roofs, and tricolor facades of broke, stone, and ...
The Encyclopædia Britannica identifies him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance". [ 1 ] Mansart, as he is generally known, popularized the mansard roof , a four-sided, double slope gambrel roof punctuated with windows on the steeper ...
The most popular style for residential construction during this time was the Second Empire style. This style of building was also known locally as the "Southcott Style" after the firm of J. & J.T. Southcott who introduced it to the city. The distinguishing features of this style of house are a mansard roof and hooded dormer windows on the top ...
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