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"The Man Who Can't Be Moved" is the second single from Irish band the Script from their debut album, The Script. The song was released on 25 July 2008. The song was used heavily in the CBS show Ghost Whisperer during its fourth season. This song served as their radio promotional single in the United States, gaining airplay on multiple radio ...
The Irish office of Sony BMG music presented the group with their first multi-Platinum award disc for over 600,000 sales of The Script. On Sunday, 18 January 2009, the album went back up to number 1 in the UK Album Charts, a whole 5 months since it was first released, mainly because of the £3.95 deal on iTunes .
The band moved to London after signing to Sony Label Group imprint Phonogenic and released their first album The Script in August 2008, preceded by the debut single "We Cry" as well as other singles such as "The Man Who Can't Be Moved", "Breakeven" and "Before the Worst". The album peaked at number one in both Ireland and the UK. [7]
In response to claims that the song sounds similar to The Script's "The Man Who Can't Be Moved", the song's writers initially decided not to pursue legal action. [4] However, following a claim in May 2018, they were successfully awarded a songwriting credit. [5]
I Shall Not Be Moved" (Roud 9134), also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. [1] It was likely originally sung at revivalist camp-meetings as a slave jubilee .
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The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
If a man can’t get or stay hard, he’ll experience a range of emotions: worry, shame, embarrassment and, perhaps, a sense of failure. Men are expected to perform every time.
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