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In Modern Turkish, it is spelled Hanım and is used similarly to the titles of "lady" or "mrs." or "miss" in the English language. The title of Hanımefendi is a combination of the words Khanum (tr. Hanım) and efendi, and is a more formal title to address women in the modern age.
It is the most comprehensive dictionary in the history of Urdu language. [citation needed] It is published by the Urdu Lughat Board, Karachi. The dictionary was edited by the honorary director general of the board Maulvi Abdul Haq who had already been working on an Urdu dictionary since the establishment of the Urdu Dictionary Board, Karachi ...
The word "Bibi", which made its way into the Pashto and Urdu language, was originally borrowed from Classical Persian (بیبی bī-bī). It was translated as "grandma" (chiefly in Pashto, Dari, Tajik). Besides this it was also used as respectful title to address senior women. [4]
Here, the cross-referenced article does not topically make a good target for a running-text link from the phrase "largest population in Europe", or any other text in the sentence, but has been deemed relevant enough to mention in passing without relegating it to the "See also" section at the bottom of the article.
Many Australian languages have a system of gender superclassing in which membership in one gender can mean membership in another. [15] Worrorra: Masculine, feminine, terrestrial, celestial, and collective. [16] Halegannada: Originally had 9 gender pronouns but only 3 exist in present-day Kannada. Zande: Masculine, feminine, animate, and inanimate.
Overview: Titles should be capitalized when attached to an individual's name, or where the position/office is a globally unique title that is the subject itself, and the term is the actual title or conventional translation thereof (not a description or rewording). Titles should not be capitalized when being used generically.
The Urdu Dictionary Board (Urdu: اردو لغت بورڈ, romanized: Urdu Lughat Board) is an academic and literary institution of Pakistan, administered by National History and Literary Heritage Division of the Ministry of Information & Broadcasting. Its objective is to edit and publish a comprehensive dictionary of the Urdu language.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]