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The Filippo Berio brand is exported worldwide to over 65 countries and is the market leader in the United States and the United Kingdom. In Italy, SALOV's brand is "Sagra". [8] 2021 supermarket goods in Sai Ying Pun, Hong Kong; Filippo Berio olive oils are visible on the bottom right
Luciano Berio was already known not only as an avant-garde composer, but also as an arranger, of his own music as well as of others. This composition was specifically composed for the celebration of the eightieth birthday of Alfred Kalmus, the then-director of the London branch of Universal Edition, Berio's main publishing house.
Both Berio and renowned conductor Lorin Maazel have stated that one of the main challenges in Coro is the balance in sounds and, more specifically, in voices, arguing that "it sounds better in a hall". Because of this, both conductors were very critical of recordings, claiming that the rewarding experience of listening to the freshness of ...
I fratelli De Filippo (lit. ' The De Filippo Brothers ' ) is a 2021 Italian biographical drama film co-written and directed by Sergio Rubini . The film tells the story of actors Eduardo , Peppino and Titina De Filippo , and their complex relationship with their father, the playwright and stage actor Eduardo Scarpetta .
The Concerto for Two Pianos and Orchestra was composer by Luciano Berio between 1972 and 1973 on a commission from the New York Philharmonic.Its world premiere was given by the pianists Bruno Canino and Antonio Ballista and the New York Philharmonic conducted by Pierre Boulez at Philharmonic Hall, New York City, on March 15, 1973.
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Sequenza VI exploits the harmonic possibilities of a fundamentally melodic instrument. It does this in two ways: first, by implying harmonies with melodic lines circling continuously through a small number of fixed pitches and, second, by presenting long series of three- and four-part chords in which the pitches are kept sounding by means of across-the-strings tremolo.
Accordo for four groups of twenty-seven instruments (1980); the number of players may be multiplied, Berio preferred a total of at least 400 instruments La vera storia for soprano, mezzosoprano, tenor, baritone, bass, vocal ensemble and orchestra (1981); incorporates Scena (1979) and Entrata (1980)
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