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This concept can be explained through an example of a generic hybrid of deliberative and epideictic elements, in which a newly elected president delivers an inaugural address. The President is speaking at a formal ceremony recognizing the current state of the nation (characteristic of the epideictic genre), while simultaneously announcing his ...
Genre theorist David Fishelov also deals with generic conventions—he calls them "generic rules"—in elaborating his explanatory metaphor of "literary genres as social institutions" in the book Metaphors of Genre: The Role of Analogies in Genre Theory. Fishelov, like Alpers, sees generic conventions as an inescapably "vital part of the ...
Characters appearing in short stories by US sports writer and author Damon Runyon, which depict Prohibition era underworld New Yorkers from Brooklyn or Midtown Manhattan. "Runyonesque" refers to the type of situations and dialog that Runyon depicted, [ 94 ] populated by gamblers , bookies, boxers, hustlers, actors, and gangsters, few of whom go ...
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Fabulation: A class composed mostly of 20th-century novels that are in a style similar to magical realism, and do not fit into the traditional categories of realism. Folklore (folktale) Animal tale; Fable: short story that anthropomorphizes non-humans to illustrate a moral lesson; Fairy tale; Ghost story
The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia ; and the ...
The third event in a series of events becomes "the final trigger for something important to happen." This pattern appears in childhood stories such as "Goldilocks and the Three Bears", "Cinderella", and "Little Red Riding Hood". In adult stories, the Rule of Three conveys the gradual resolution of a process that leads to transformation. This ...
Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]