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Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
The term is commonly used within Indian films (Telugu, Tamil, Hindi, Kannada, Punjabi, and Bengali cinema) to describe a catchy, upbeat, often provocative dance sequence for a song performed in a movie. [1] The main aim of an item number is to entertain movie-goers and to lend support to the marketability of the film by being featured in ...
Punjabi Film Songs Year Song Title Movie 1941: Sohniye Heeriye Ni Teri Yad Ne: Gul Baloch 1949: Jag Wala Mela: Lachhi 1956: Main Koi Jhoot Boleya: Jagte Raho 1956: Dhol Vajda Tali Vajdi: Santo Banto 1956: Aaja Sonie: Santo Banto 1959: Rab Na Kare: Bhangra 1959: Jat Kurrian Ton Darda Mara: Bhangra 1959: Chitte Dand Hasno Nahin Rahende: Bhangra ...
Mujra is a dance form that emerged during the Mughal empire, practiced by courtesans for the elite classes of Northern India. [2] The documentary explores the prejudice, censorship, and misogynistic climate in which Mujra dancers work in modern-day Punjab, Pakistan.
Film No Song Composer(s) Writer(s) Co-artist(s) Anmol Sitaare: 11 "Choron Ko Pakadne Ham Chale Hain" Nadeem-Shravan Kavi Pradeep Amit Kumar, Preeti Sagar, Sapna Mukherjee, Vinay Mandke
This is a list of South Asian-origin television channels available on cable, satellite and IPTV platforms in Canada, Malaysia, the Middle East, Singapore, Trinidad and Tobago, the United Kingdom and the United States.
Malayalam, Tamil Anwar: Amal Neerad [57] 2011 Hindi, English Delhi Belly: Abhinay Deo [58] 2016: English, Hindi: Mantra: Nicholas Kharkongor: 2017 Malayalam, Tamil Ma Chu Ka: Jayan Vannery 2019: English, Hindi: CandyFlip: Shanawaz NK Hindi, English: Line of Descent: Rohit Karn Batra 2023 Malayalam, Arabic Ayisha: Aamir Pallikkal English, Hindi ...
An evolved format of the tappa was the baithaki style, which evolved under the direct patronage of the landed elites of the zamindari classes of the late 19th and early 20th centuries, in their baithak-khanas (literally, baithak - assembly, khana - halls or salons) and jalsaghar (literally, halls for entertainment, mujra or nautch halls)