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In art, especially painting, aerial perspective or atmospheric perspective [5] refers to the technique of creating an illusion of depth by depicting distant objects as paler, less detailed, and usually bluer than near objects. This technique was introduced in painting by Leonardo da Vinci to portray what was observed in nature and evident in ...
The painting is notable for its use of accurate perspective projection, a defining characteristic of Renaissance art, which Raphael learned from Leonardo; likewise, the themes of the painting, such as the rebirth of Ancient Greek philosophy and culture in Europe were inspired by Leonardo's individual pursuits in theatre, engineering, optics ...
Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility, often depicting calm, reflective water and a soft, hazy sky.
Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.
Aerial perspective – Atmospheric effects on the appearance of a distant object; Bird's-eye view – Elevated view of an object or location from above; Indigenous Australian art – Art made by Aboriginal and Torres Strait Islander peoples of Australia; Cityscape – An artistic representation of the physical aspects of a city or urban area
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Turner frequently created an atmospheric tonality in his artistic creations by spreading the paint in short, broad brushstrokes from a filthy palette onto the canvas and gradually drawing forms out of his color ground. [2] In the center of the painting and the upper right, Turner used thick impasto with a palette knife.
The painting depicts the Gare Montparnasse railway station in Paris, France. It is a classic example of de Chirico's style, depicting an angular perspective on an outdoor architectural setting in the long shadows and deep colours of early evening. On the horizon is a steam train with a plume of white smoke billowing away from it.