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Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
The guitarrón is usually played by doubling notes at the octave, a practice facilitated by the standard guitarrón tuning A 1 D 2 G 2 C 3 E 3 A 2. Unlike a guitar, the pitch of the guitarrón strings does not always rise as strings move directionally downward from the lowest-pitched string (A 2, which is the 6th string from the lowest-pitched ...
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and ...
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The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal . [ 5 ] At approx. 100-120bpm, the tempo of rumba flamenca is slower than other more traditional flamenco styles such as bulerías and fandangos .
The tresillo pattern is the rhythmic basis of the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [2] [3] Tresillo-based tumbao from "Alza los pies Congo", by Septeto Habanero (1925). Play ⓘ Often the last note of the measure is held over the downbeat of the next measure.
Típico rhythms include merengue derecho, or straight-ahead merengue, which is the kind of fast-paced 2 4 time merengue most of us are used to hearing, usually used in the first section. Pambiche or merengue apambichao is similar but usually slower, and can be recognized by the double slap rhythm on the tambora.