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A Greek glass amphora, 2nd half of the 2nd century BC, from Olbia, now in the Altes Museum. During the second half of the 3rd century BC, mosaic glass, also known as 'millefiori', literally, a thousand flowers, emerged. The group consists mostly of fused and slumped broad plates and shallow dishes with upright or out-splayed rims or ...
Later, tesserae were made from colored glass, or clear glass backed with metal foils. The Byzantines used tesserae with gold leaf, in which case the glass pieces were flatter, with two glass pieces sandwiching the gold. This produced a golden reflection emanating from in between the tesserae as well as their front, causing a far richer and more ...
Like other mosaics, Byzantine mosaics are made of small pieces of glass, stone, ceramic, or other material, which are called tesserae. [18] During the Byzantine period, craftsmen expanded the materials that could be turned into tesserae, beginning to include gold leaf and precious stones, and perfected their construction.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. [1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
Altar frontal of Italian opera di commessi, Dubrovnik Cathedral Detail of design with roses over crossed canes, 1882. Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] (), called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian subcontinent, is a term for the inlay technique of using cut and fitted, highly ...
A garnet and glass doublet uses a top portion of natural garnet fused to any color of glass to imitate a gem. The color of glass used in the doublet is all that is seen, as the garnet provides no color. If seen in reflected light, a separation line may be seen. A harder garnet makes the stones more durable.
Micromosaic brooch set in black glass, c. 1875, of the Pantheon Byzantine mosaic icon, 45 cm high, 13th century.. Micromosaics (or micro mosaics, micro-mosaics) are a special form of mosaic that uses unusually small mosaic pieces of glass, or in later Italian pieces an enamel-like material, to make small figurative images. [1]
A large number of other works by members and pupils of the same family, but unsigned, exist in Rome. These are mainly altars and baldacchini, choir-screens, paschal candlesticks, ambones, tombs and the like, all enriched with sculpture and glass mosaic of great brilliance and decorative effect. [1]
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