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The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz.
The sampling rate is adapted from that attained when recording digital audio on videotape with a PCM adaptor, an earlier way of storing digital audio. [81] [82]: sec. 2.6 An audio CD can represent frequencies up to 22.05 kHz, the Nyquist frequency of the 44.1 kHz sample rate. [83]
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
Standard CDs have a diameter of 120 mm (4.7 in), and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 MiB (681,574,400 bytes) of data. Capacity is routinely extended to 80 minutes and 700 MiB ( 734,003,200 bytes), 90 minutes 800 MiB ( 838,860,800 bytes), or 99 minutes 870 MiB ( 912,261,120 bytes) by ...
Audio on Compact Disc has a sampling rate of 44.1 kHz; to transfer it to a digital medium that uses 48 kHz, method 1 above can be used with L = 160, M = 147 (since 48000/44100 = 160/147). [5] For the reverse conversion, the values of L and M are swapped.
8.2 20 cm ("EP"-size) 8.3 12 cm ... 16-bit and 44.1 kHz sample rate). ... but also on standard 20 and 30 cm LaserDiscs with digital audio. ...
When is normalized with reference to the sampling rate as ′ =, the normalized Nyquist angular frequency is π radians/sample. The following table shows examples of normalized frequency for f = 1 {\displaystyle f=1} kHz , f s = 44100 {\displaystyle f_{s}=44100} samples/second (often denoted by 44.1 kHz ), and 4 normalization conventions:
CD audio, for example, has a sampling rate of 44.1 kHz (44,100 samples per second), and has 16-bit resolution for each stereo channel. Analog signals that have not already been bandlimited must be passed through an anti-aliasing filter before conversion, to prevent the aliasing distortion that is caused by audio signals with frequencies higher ...