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Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
On This Island is a book of poems by W. H. Auden, first published under the title Look, Stranger! in the UK in 1936, then published under Auden's preferred title, On this Island, in the US in 1937. It is also the title of one of the poems in the collection. The book contains thirty-one poems.
First UK edition (publ. Faber & Faber) Epistle to a Godson and other poems is a book of poems by W. H. Auden, published in 1972. [1] [2]This book was the last book of poems that Auden completed in his lifetime; its successor, Thank You, Fog was left unfinished at his death.
In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2] Hedli Anderson, an English singer, was a lead performer in The Ascent of F6. [2] Auden decided to re-write several poems for Anderson to perform as cabaret songs, including "Funeral Blues", and was working on them as early as 1937. [3]
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Auden refused to title his early work because he wanted the reader to confront the poetry itself. Consequently, his first book was called simply Poems when it was printed by his friend and fellow poet Stephen Spender in 1928; he used the same title for the very different book published by Faber and Faber in 1930 (2nd ed. 1933), and by Random ...
For the Time Being (New York, 1944; London, 1945; two long poems: "The Sea and the Mirror: A Commentary on Shakespeare's The Tempest", dedicated to James and Tania Stern, and "For the Time Being: A Christmas Oratorio", in memoriam Constance Rosalie Auden [Auden's mother]). The Collected Poetry of W.H. Auden (New York, 1945; includes new poems ...
Auden sent a copy of "The Chase" to Isherwood, who suggested revisions that eventually transformed the play into The Dog Beneath the Skin. In "The Fronny" the central character (who is referred to as "Fronny" in the surviving fragments) was apparently based loosely on the archaeologist Francis Turville-Petre , but the character of Sir Francis ...