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A dado rail, also known as a chair rail or surbase, [1] is a type of moulding fixed horizontally to the wall around the perimeter of a room. The dado rail is traditionally part of the dado or wainscot and, although the purpose of the dado is mainly aesthetic, the dado rail may provide the wall with protection from furniture and other contact.
In architecture, the dado is the lower part of a wall, [1] below the dado rail and above the skirting board. The word is borrowed from Italian meaning "dice" or "cube", [ 2 ] and refers to " die ", an architectural term for the middle section of a pedestal or plinth .
Bed-mould or bed moulding: Narrow moulding used at the junction of a wall and ceiling, found under the cornice, of which it is a part. [2] Similar to crown moulding, a bed mould is used to cover the joint between the ceiling and wall. Bed moulds can be either sprung or plain, or flush to the wall as an extension of a cornice mould. [3]
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Frame and panel construction at its most basic consists of five members: the panel and the four members which make up the frame. The vertical members of the frame are called stiles while the horizontal members are known as rails. A basic frame and panel item consists of a top rail, a bottom rail, two stiles, and a panel.
The entry to the living rooms are double pocket doors and the living room ceiling is surrounded with box molding and underneath it, a picture rail. The floor is a carpeted hardwood floor with a plain 12-inch baseboard and all other rooms contain the same floor and ceiling finishes with a few variations in the walls.
A chair screw (also known as coach screw [16]) is a large (~6 in or 152 mm length, slightly under 1 in or 25 mm diameter) metal screw used to fix a chair (for bullhead rail), baseplate (for flat bottom rail) or to directly fasten a rail. Chair screws are screwed into a hole bored in the sleeper. [17]
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.