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Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
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Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1] In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on ...
Theorem stencil, sometimes also called theorem painting or velvet painting, is the art of making stencils and using them to make drawings or paintings on fabric or paper. [ 1 ] A vogue for theorem stencil painting began in England at the turn of the 18th century and through the mid-1800s. [ 2 ]
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The wax can be applied with a variety of tools, including writing with a pen-like canting tool, printing with a cap, or painting with a brush. [31] The canting is the most basic and traditional tool, creating what is known as "written batik" (batik tulis). It allows the creation of very fine, minute patterns but the process is very labour ...
Lining an entire painting has largely fallen out of favor due to the invasive nature of the treatment. Minimalist intervention emphasizes the maintenance of the original integrity of a painting, so long as it is able to be displayed and the image is not disrupted. [2] However, patches are sometimes applied to strengthen specific areas of a ...
Iron mordants "sadden" colors, while alum and tin mordants brighten colors. Iron, chrome and tin mordants contribute to fabric deterioration, referred to as "dye rot". Additional modifiers may be used during or after dying to protect fibre structure, shift pH to achieve different color results, or for any number of other desirably outcomes.
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