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Kreisleriana, Op. 16, is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. Schumann claimed to have written it in only four days in April 1838 [1] and a revised version appeared in 1850.
Robert Schumann. This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on ...
Pages in category "Chamber music by Robert Schumann" The following 7 pages are in this category, out of 7 total. ... This page was last edited on 1 February 2016, at ...
Schumann in a Josef Kriehuber etching from 1839, the year preceding his marriage to Clara. It was at this time that he began to compose vocal music prolifically. The following is a list of the complete vocal output of Robert Schumann (8 June 1810 – 29 July 1856). Schumann was one of the most prolific composers of the nineteenth century.
Carnaval had its origin in a set of variations on a Sehnsuchtswalzer by Franz Schubert, whose music Schumann had discovered only in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's ...
Waldszenen (Forest Scenes), Op. 82, is a set of nine short solo piano pieces composed by Robert Schumann in 1848–1849, first published in 1850–1851 in Leipzig by Bartholf Senff. [ 1 ] On the set, Schumann wrote: "The titles for pieces of music, since they again have come into favor in our day, have been censured here and there, and it has ...
Bunte Blätter (English: Colorful Leaves), Op. 99, is a collection of piano pieces by Robert Schumann assembled from earlier unpublished pieces after the success of the Album for the Young (Album für die Jugend), Op. 68. Upon publication the pieces were issued both as a complete set and individual pieces, the latter in differently colored covers.
Schumann quoted some themes from Papillons in his later work, Carnaval, Op. 9, but none of them appear in section no. 9 of that work titled "Papillons".The main waltz theme from the first movement in Papillons was quoted in the section "Florestan", with an explicit acknowledgement written in the score, and again in the final section, "Marche des Davidsbündler contre les Philistins", but ...
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