Search results
Results from the WOW.Com Content Network
The Alexamenos graffito. The Alexamenos graffito (known also as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffiti scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2]
Two disciples brought colt to Jesus. Jesus sat on the colt. John 12:14–15. Jesus found a young donkey and sat on it. [no reaction owners/bystanders] Narrator claims this fulfilled a prophecy. Entry and reaction: Matthew 21:8–11. Disciples and followers spread their cloaks on the road, or cut branches from trees and spread those on the road.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
By the 19th century, the donkey was portrayed with more positive attributes by popular authors. William Wordsworth portrayed the donkey as loyal and patient in his 1819 poem Peter Bell:A Tale, using the donkey as a Christian symbol. Robert Louis Stevenson in Travels with a Donkey (1879), portrays the animal as a stubborn beast of burden.
Recollections of a Tour Made in Scotland, A. D. 1803 (1874) is a travel memoir by Dorothy Wordsworth about a six-week, 663-mile journey through the Scottish Highlands from August–September 1803 with her brother William Wordsworth and mutual friend Samuel Taylor Coleridge.
A young boy, who would later be known as John the Baptist, brings in water to wash the wound, prefiguring his later baptism of Christ. An assistant of Joseph, who represents Jesus's future Apostles, observes these events. In the background of the painting various objects are used to further symbolize the theological significance of the subject.
To the right there is a figure, that stands nearest to Jesus, who was depicted as the painter's good friend, the writer Gogol. Before the wanderer with a staff seated not far from John, is a figure seated with a red headgear. The figure is a self-portrait; the artist has captured his own features on the canvas. [8] [9] Studies
The similarity between this c. 1800 tempera painting and the "Butts set" version was one of the main reasons Behrendt dated the "Butts set" to 1803 [5] The Annunciation to the Shepherds: Hymn, Stanzas 8-12 "At last surrounds their sight A globe of circular light, That with long beams the shame-fac'd Night array'd..." The Old Dragon: Hymn, Stanza 18