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Together, they were innovative in collecting mechanical royalties from mass-produced discs. [1] The Music Publishers Association, the trade association for music publishers in the UK, became the owners of MCPS in 1976 and remain so to this day. [2] This union establishes MCPS as the only collection society which is publisher-led.
PRS for Music was formed in 1997 following the MCPS-PRS Alliance. In 2009, PRS and MCPS-PRS Alliance realigned their brands and became PRS for Music. PRS represents their songwriter, composer and music publisher members’ performing rights, and collects royalties on their behalf whenever their music is played or performed publicly.
Société des auteurs et compositeurs dramatiques (SACD); Société des auteurs, compositeurs et éditeurs de musique (SACEM) English: Society of Authors, Composers, and Music Editors
In the UK, license fees for production music are nationally standardized and set by the MCPS. In the US and elsewhere, libraries are free to determine their own license fees. Performance income (or performance royalties) Performances income is generated when music is publicly performed—for example, on television or radio.
The rights to a composition or the "song", which is different from the studio sound recording, [2] are most often administered by the publishing company that represents the writer/producer.
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Mechanical rights — e.g. BIEM members (mechanical rights collecting societies), AR: SADAIC, DE: GEMA, GB: MCPS, US: HFA. BIEM is the international organisation representing mechanical rights societies. Mechanical rights societies exist in most countries. They license the reproduction of songs (including musical, literary and dramatic works).