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Any art that was modern or abstract was considered degenerate. [7] In addition to showcasing this art and labeling it as degenerate art, the Nazi party also provided explanations to the art viewers as to why the art was a lesser form of art. [7] In the 1937 speech, Adolf Hitler mentioned many types of art that the Reich was opposed to.
A typical museum label from the De Young Museum in San Francisco. A museum label is a label describing an object exhibited in a museum or one introducing a room or area. [1] [2] At a minimum, museum labels should identify the creator, title, date, location, and materials of the work, insofar as these can be known.
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. [7] Finally in the West the idea of "art for art's sake" [8] began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. [9]
Label in a gallery indicating the object's accession number. In galleries, libraries, archives, and museums, an accession number is a unique identifier assigned to, and achieving initial control of, each acquisition. Assignment of accession numbers typically occurs at the point of accessioning or cataloging.
Art: A History of Painting, Sculpture, and Architecture is a two-volume collection of general art history written by Frederick Hartt. Volume I covers from the paleolithic cave paintings to late medieval art. Volume II starts at the Renaissance and ends with modern art. It was originally published in 1976 by Harry N. Abrams.
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. [1] [2] It is funded by the National Endowment for the Humanities. [3]
The Rückenfigur (literally "back-figure") is a compositional device in painting, graphic art, photography, and film. A person is seen from behind in the foreground of the image, contemplating the view before them, and is a means by which the viewer can identify with the image's figure and then recreate the space to be conveyed.