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Some microphones use other connectors, such as a 5-pin XLR, or mini XLR for connection to portable equipment. Some lavalier (or "lapel", from the days of attaching the microphone to the news reporter's suit lapel) microphones use a proprietary connector for connection to a wireless transmitter, such as a radio pack. Since 2005, professional ...
The boundary microphone can be used as a piano mic by placing it inside the piano lid, an approach which can obtain better pickup of the piano's mix of sharp percussive transients and gentle undertones than other microphone options. Boundary mics are used on hockey boards for body check sound effects. They are also commonly used to record full ...
Instrumental use of microphones has been developed by many experimental composers, musicians and sound artists. They use microphones in unconventional ways, for example by preparing them with objects, moving them around or using contact microphones to colour the sound and be able to amplify otherwise very silent sounds.
Microphones used for sound reinforcement are positioned and mounted in many ways, including base-weighted upright stands, podium mounts, tie-clips, instrument mounts, and headset mounts. Microphones on stands are also placed in front of instrument amplifiers to pick up the sound. Headset-mounted and tie-clip-mounted microphones are often used ...
Parabolic microphone used at an American college football game. A parabolic microphone is a microphone that uses a parabolic reflector to collect and focus sound waves onto a transducer, in much the same way that a parabolic antenna (e.g. satellite dish) does with radio waves. Though they lack high fidelity, parabolic microphones have great ...
The lack of reflections in a free field means that any sound in the field is entirely determined by a listener or microphone because it is received through the direct sound of the sound source. This makes the open field a direct sound field. [3] In a free field, sound is attenuated with increased distance according to the inverse-square law. [1]
Reverberation effects are often used in studios to add depth to sounds. Reverberation changes the perceived spectral structure of a sound but does not alter the pitch. Basic factors that affect a room's reverberation time include the size and shape of the enclosure as well as the materials used in the construction of the room.
Example of microphone positioning in a Decca Tree setup. A Decca Tree setup uses three omnidirectional microphones arranged in a "T" pattern outlining a triangle, often equilateral; the center microphone is mixed with the two spaced microphones to fill the "hole in the middle" in their imaging; it points the sound source.