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The Agatha Christie Trust For Children was established in 1969, [80] and shortly after Christie's death a charitable memorial fund was set up to "help two causes that she favoured: old people and young children". [81] Christie's obituary in The Times notes that "she never cared much for the cinema, or for wireless and television." Further,
Robin Halliday Macartney FRIBA (22 May 1911 – 4 October 1973) was a British architect, painter and illustrator. Today he is mainly remembered as the designer of four book covers for Agatha Christie, who immortalized him as "Mac" in her archaeological memoir Come, Tell Me How You Live.
Chapters from the book appeared in Agatha Christie's Crime Reader, published by Cleveland Publishing in 1944, along with other selections from Poirot Investigates and Partners in Crime. Actor Hugh Fraser was the reader of the unabridged recording of The Mysterious Mr Quin released in 2006 by BBC Audiobooks America ( ISBN 978-1572705296 ) and ...
The Mysterious Affair at Styles is the first detective novel by British writer Agatha Christie, introducing her fictional detective Hercule Poirot.It was written in the middle of the First World War, in 1916, and first published by John Lane in the United States in October 1920 [1] and in the United Kingdom by The Bodley Head (John Lane's UK company) on 21 January 1921.
The play was written between 1961 and 1962, drawing on Stoppard's experiences as a Bristol theatre critic. [1] It was initially named The Stand-ins and later, The Critics . It is a parody of the stereotypical parlour mystery in the style of Agatha Christie 's The Mousetrap , [ 2 ] as well as of the critics watching the play, with their personal ...
Agatha Christie's expertness in building up her detective stories, as such, to astonishing (though sometimes very far-fetched) conclusions has more or less over-shadowed her amazing versatility, not only in background and incident, but in character-drawing and actual style.
Robert Barnard: "A late collection, with several of the 'long-short' stories which suit Christie well. Less rigorous than her best, however, and the last story, Greenshaw's Folly, has a notable example of Miss Marple's habit of drawing solutions from a hat, with hardly a trace of why or wherefore." [5]
Francis Iles (Anthony Berkeley Cox) in The Guardian's issue of 13 December 1968 admitted that, "This is a thriller, not a detective story, and needless to say an ingenious and exciting one; but anyone can write a thriller (well, almost anyone), whereas a genuine Agatha Christie could be written by one person only." [4]
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