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Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
Duncan Phyfe (1768 – 16 August 1854) [1] was one of nineteenth-century America's leading cabinetmakers.. Rather than create a new furniture style, he interpreted fashionable European trends in a manner so distinguished and particular that he became a major spokesman for Neoclassicism in the United States, influencing a generation of American cabinetmakers.
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.
Dining chair, designed to be used at a dining table; typically, dining chairs are part of a dining set, where the chairs and table feature similar or complementary designs. The oldest known depiction of dining chairs is a seventh-century BCE bas-relief of an Assyrian king and queen on very high chairs. [20]
The chair is made of papier-mâché with inlaid mother of pearl, gilded and painted decoration. Part of the Baltimore Museum of Art collection. Although English furniture derives so extensively from foreign and especially French and Italian models, the earlier forms of English chairs owed but little to exotic influences. [8]
Elizabethan and Jacobean furniture. Elizabethan furniture is the form which the Renaissance took in England in furniture and general ornament, and in furniture it is as distinctive a form as its French and Italian counterparts. Crewe Hall dining room.
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