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Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables). Chairs such as the sgabello were considered symbols of wealth, and the wealthiest families had them made very sumptuous and grand. Poorer people's chairs had x-shaped backs, and some could only afford plain three-legged ...
Whether from any of these causes or from purely commercial ones, what became part of the Elizabethan furniture style was the top-heavy and overloaded Dutch cabinet and the table with big columnar legs capable of upholding mighty serving dishes, and both covered with Flemish ornament.
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.
Dining chair, designed to be used at a dining table; typically, dining chairs are part of a dining set, where the chairs and table feature similar or complementary designs. The oldest known depiction of dining chairs is a seventh-century BCE bas-relief of an Assyrian king and queen on very high chairs. [20]
The chair is made of papier-mâché with inlaid mother of pearl, gilded and painted decoration. Part of the Baltimore Museum of Art collection. Although English furniture derives so extensively from foreign and especially French and Italian models, the earlier forms of English chairs owed but little to exotic influences. [8]
Queen Anne furniture is "somewhat smaller, lighter, and more comfortable than its predecessors," and examples in common use include "curving shapes, the cabriole leg, cushioned seats, wing-back chairs, and practical secretary desk - bookcase pieces." [2] Other elements characterizing the style include pad feet and "an emphasis on line and form ...
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