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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [ 1] A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or vermeil) objects, but gilt-bronze is ...
Florentine craft box with decoupage and painted gold gilding. Florentine crafts made in Florence, Italy, are a centuries-old tradition maintained by several artisan guilds. Florentine style, especially in items produced in from the mid-19th century onward, typically reflect a contemporary interpretation of Renaissance art and furnishings.
In Paris in the 1920s Alexander Calder, Jose De Creeft, Picasso and others began making fully 3-dimensional works from metal scraps, found metal objects and wire. In the U.S., one of the earliest and most prolific assemblage artists was Louise Nevelson, who began creating her sculptures from found pieces of wood in the late 1930s.
Art in bronze and brass dates from remote antiquity. These important metals are alloys, bronze composed of copper and tin and brass of copper and zinc . Proportions of each alloy vary slightly. Bronze may be normally considered as nine parts of copper to one of tin. Other ingredients which are occasionally found are more or less accidental.
Brass is an alloy of copper and zinc, in proportions which can be varied to achieve different colours and mechanical, electrical, acoustic and chemical properties, [ 1] but copper typically has the larger proportion, generally 66% copper and 34% zinc. In use since prehistoric times, it is a substitutional alloy: atoms of the two constituents ...
Patina (/ p ə ˈ t iː n ə / pə-TEE-nə or / ˈ p æ t ɪ n ə / PAT-ih-nə) is a thin layer that variously forms on the surface of copper, brass, bronze, and similar metals and metal alloys (tarnish produced by oxidation or other chemical processes), or certain stones [1] and wooden furniture (sheen produced by age, wear, and polishing), or ...
The wood collage is a type that emerged somewhat later than paper collage. Kurt Schwitters began experimenting with wood collages in the 1920s after already having given up painting for paper collages. [12] The principle of wood collage is clearly established at least as early as his 'Merz Picture with Candle', dating from the mid to late 1920s.